Well, Jack is turning out (up to now) to be a very enjoyable subject. I'm trying a new working method, and so far so good. What I usually do is outline the subject and rough in the features, then sort of paint and draw as I go. Problem is, when I need to make a correction I'm not just erasing a pencil line, I'm erasing colored pencil... sometimes several layers. I never thought I'd want to do a highly detailed drawing first (guess I'm too eager to get to the color)... but I did this time. And guess what? It seems to be working better! (I know that's a "duh" because I've read countless times to make a really good drawing first... but oh well.... I'm catching on slowly but surely :-)
I'm also working on colored Stonehenge, which is a first for me. My previous colored pencil work has been on a white support. I haven't decided yet how I feel about it. Jack has patches of white fur and I had a difficult time getting the white to be really white. After trying two brands of white cp, a white Stabilo pencil and white oil pastel (on scrap paper), I painted in the white patches with white gouache....which is what you see in the first WIP. The next two WIP's are color work done in colored pencil. Lighting is not too good on these pics... taken indoors on different days... and today it's raining as we're beginning to feel the effects of Hurricane Ida..... we're expecting 4-5 inches of rain over the next three days - get the galoshes out!
If anyone has any tips about an easier way to get a true white when working on a colored support.... I'm all ears!
