Enjoy life now... it has an expiration date.



Sunday, July 11, 2010

Reflections


"Reflections" 4x6, watercolor

This is a small painting I started before the impromptu vacation. I was attracted to the scene by the almost calligraphic reflections of the leaves in the water. I'm still experimenting with different ways to apply paint and working on building my "effects library". I'm out of my comfort zone when painting water... but painting it is the only way to become comfortable with it!

Friday, July 9, 2010

Vacation: Back from the beach!








We had a kind of impromptu vacation. My son and his wife, spending a week at the beach, asked the hubby and I to come down and spend a few days with them. They rented the top apartment of a beach house and had plenty of room...so... off we went! We had lots of fun, ate way too much food that's on my no-no list (but it was a vacation!) and thoroughly enjoyed spending time with our son and daughter in law. Nice to spend time with your kids when they're grown... it's a different kind of relationship at that stage of life.

I'm posting a few pics. The surfer in the pics is my son, Philip. The last pic is Philip and Rhonda, our DIL, although we claim her as a daughter :-)

Wednesday, June 30, 2010

Studying + Experimenting = Bluebells


"Bluebells"
4x6, Watercolor

I mentioned in my last post that I've been doing a lot of experimenting with both technique and color. My practice sheets look like someone painted them who was under the influence (I assure you I was not... honestly!). After intently reading (and re-reading) both Glorious Garden Flowers in Watercolor by Susan Harrison-Tustain, and Paint Watercolors That Dance With Light by Elizabeth Kincaid, I wanted to put some of the things I've been working on into one painting. I elected to do a small study because I didn't want a lot of time tied up in the painting... it was just for practice and I didn't want to feel that I had to turn out a "finished painting".

Pictured is the resulting study, "Bluebells". The techniques I was practicing in this study are: getting a handle on smoothly glazing multiple layers; using those layers of glazed color to mix secondary and tertiary colors optically instead of premixing on the palette; and some practice for dark, out of focus backgrounds. Oh, and the thing that has been pretty much eluding me.... saving that doggone white space!

I managed to overwork a few parts (old habits don't die easily) but not too much. This was a great learning experience. I'm finding out that what works for me is to closely study a new technique, try it out multiple times on throw-away practice sheets until I begin to get a feel for it, then tie it together by using the new technique in a small, no-pressure painting.

Wednesday, June 23, 2010

The Day's Harvest..... and more












Not a lot to show as far as art.... although I have been busy with the paint brushes. Doing a lot of experiments and practicing with technique and color mixing in watercolor.

In the meantime, we're still in the grip of the awful heat/humidity wave (it's 97 degrees now and expected to hit 99 or 100) so I'm out in the garden almost every morning watering. Since we live out in the country we're fortunate to have a deep well so I don't have to worry about a large water bill. Plus, the water goes back into the ground .... where, after it filters down through a couple of hundred feet of soil, sand and rock that purifies it, it will eventually get pumped out again for re-use. Recycling at its best!

I'm posting a few pics from my garden. Everything is growing nicely. After I finish watering, I collect the day's harvest... which you see pictured in the basket. For dinner tonight we're having a fresh Green Leaf lettuce salad with grilled chicken breast, pecans, mandarin oranges.. and the following veggies:(which I grew myself! I sound like a proud Mom, don't I? ;-) cucumbers, tomatoes, squash and sugar snap peas. Yummy! Blackberries and ice cream for dessert.

When I get around to it I'll be posting most of these pics in the RIL (Reference Image Library) on WetCanvas as resource material for other artists. If you see anything you'd like to use in a painting, email me and I'll send you the high res image for clarity.

P.S. The last four pics (for city slickers and non-Southerners who are wondering what that strange plant is) are of a field of tobacco across from our house. Years ago you saw tobacco fields everywhere in the South. Nowadays, with the health risks associated with tobacco use and the influx of cheaper foreign tobacco, it's almost a novelty to see a field of tobacco. I wanted to record this while I had the chance, before fields of tobacco were, well, gone with the wind ;-). The first two pics are the blossoms on the top of the tobacco stalk (ironic that the blooms are so pretty) and the last two pics show the plants in the field. A whole culture used to revolve around tobacco - working in tobacco during the summer paid for many kid's school clothes in the Fall; and bought me my first car - but that's a story for another day.

Friday, June 18, 2010

Prairie Barn: An Exercise


This exercise from David Bellamy's "Developing Your Watercolors"- some really good information in there. I find doing these exercises extremely beneficial. Kind of like doing push ups to get in shape - except, thankfully, not nearly as strenuous!

This is not a faithful reproduction, was just going for practice. I was satisfied with the barn, but not much else in this one. Was tempted to go back and rework the parts that didn't work, but I've about decided that's not a good use of time. Better to leave as is and go on to the next project. One thing's for sure, regardless of perceived successes or failures, any time spent painting is time well spent!

Tuesday, June 15, 2010

The Mud, The Bad and The Ugly


9 x 12 Watercolor on Arches

Let's see how many undesirables we can get into one painting:

- Didn't do thumbnails or value sketch? Check.
- Overworked? Check and Double Check.
- Didn't allow for background colors to lighten as they dried? Check.
- Lost my focus and defined center of interest along with it? Check.
- Changed my mind several times on some colors and altered them (after I'd already put them down = mud)? Check.
- Changed the design as I went along? Check.

But all is not lost. On the bright side the desirables are:

- Got some sketching practice in? Check.
- Got some painting practice in? Check.
- Found a background technique I like? (even though it did dry lighter than expected). Check.
- Found some new color combinations? Check.
- Tried glazing and some of it was successful? Check.
- Helped me understand some of the things I want to improve about my painting? Check.

Let's see.... that's six for six. So, even though this painting will never see a frame and parts of it don't work, there are other parts that I like and I learned a couple of things that may help me get a little closer to where I want to be.

On to the next painting!

Monday, June 7, 2010

Water Lotus


A fairly quick (for me) study of a water lotus. Still working on keeping the white space while I paint... still a struggle. I get carried away with the lovely paint colors and forget about the white space ... must learn some self-restraint!

When I do a piece of art I like to ask myself what I learned from this piece. The big revelation with this one is - no surprise here for you veteran watercolorists - Arches watercolor paper is wonderful! I admit, a little sheepishly, that I've had Arches paper in my possession for, oh, about 15 years (yeah, I know) and for some reason, just never got around to actually using it. A few days ago I found the Arches 9x12 pads in Michaels craft store on clearance sale... and bought another Arches pad... just like the first one I had .... that I'd never used! So, it seemed like a good time to try out the famous, oh-so-talked-about Arches. It surpassed my expectations. I had thought it made good sense to practice on the less expensive paper before graduating to Arches. But it paints so much better that I realize now what I was missing. Hmmm.... now that I'm spoiled on Arches I guess I could use my supply of less expensive paper for trying out experiments with new colors and brushstrokes ;-)

Thursday, June 3, 2010

"Old Sail Lofts" an exercise from The Watercolourist's Guide to Painting Buildings






Boy, was this fun!!

I've had this book - The Watercolourist's Guide to Painting Buildings by Richard Taylor for quite a while and never really done much with it - other than admire Mr. Taylor's beautiful paintings. Yesterday I was leafing through it looking for some color info and saw several projects in the book that the author recommends you complete to help learn the techniques he covers. I thought, "I should do one of these exercises". So I did.

I sketched it out fairly closely to the example and decided to go pretty much with the colors used by the author because I wanted to spend my time on painting techniques, not making color choices. Can you tell I've got a one track mind? Being able to focus mainly on painting techniques and the results of those techniques was so helpful and very informative. I thoroughly enjoyed doing this little painting. I did a minimum of reworking and even managed to save a little more white space than usual (yes!).

This was time well spent. I had several "Aha" moments while doing this exercise.... it's a little like having a mentor peering over your shoulder offering advice.

I've posted some WIPs. Photos not so great :-(

Hmmmm........ let's see. What shall I paint next?

Tuesday, June 1, 2010

"1,000 Vibrant Mistakes" and Pesky Rabbits....


This is one of the adorable (although I could think of several other less complimentary adjectives) rabbits that are wreaking havoc on my Black Eyed Susans. I get up most mornings to rabbits in the flower bed, and, invariably, where a tall Black Eyed Susan once swayed gently in the breeze, just about to open its bloom, there now sits one bare stalk - leafless, bloomless - and gnawed down to about 8 inches tall.

I'm torn between enjoying the playful antics of these furry, cottontailed marauders (they're SO cute, and they do have to eat too) and wanting to protect my flowers that I've lovingly planted, watered, fertilized and babied. Not wishing to harm the rabbits, I'm trying red pepper. So now if they nibble on a flower, it will no doubt be the spiciest food they've ever eaten. We'll see if it works. We live on a farm... there's vegetation everywhere, so it's not like there's a shortage of rabbit food around here.

In the meantime I decided to make the best of the situation and get in some painting practice using one of my furry little pillagers as the subject. This is not a "fresh" painting - I worked parts of it to death - but it's okay because I wasn't aiming for a pretty painting. I was aiming for some time to experiment, practice and just observe what works and what doesn't work for me in watercolor. I tried to completely suspend judgement - silence the inner critic - so I'd be free to experiment and enjoy. And enjoy I did!

What I learned from this little painting:

- I give up the white space too easily and too quickly. I don't know why I have a tendency to want to put paint everywhere, but when I do, I'm never happy with the result. I love watercolors that have little chinks of white scattered throughout the painting .... gives it so much life and sparkle. I want to discipline myself to keep that in mind when painting and keep more white.

- I need to stay focused on what I'm doing when the brush hits the paper. The more focused I am, the more likely I won't have to rework that area. When my mind starts drifting while the paint brush is still moving it's almost never a pleasing result. Focus, Teresa!

- It's good to allow myself time to "play" as I did with this painting. By playing, I'm gradually developing what Laure calls a "visual vocabulary" and, as with words, the larger the vocabulary, the easier it is to clearly express yourself.

- Learn to love the "mistakes" - they represent progress. Every scrubbed out and reworked area, every poor color choice, every spot where the paint was too strong or too watery, was welcome. I recently "met" a blogger, Keith, who left a great comment on one of my posts. He said,

"Mistakes are essential, they surprise and challenge you. It's how you learn. I would rather a piece with a thousand vibrant mistakes than one of dead perfection."

A thousand vibrant mistakes vs. dead perfection. I love it!

If you get a chance, drop by and visit Keith here. He's got some great people sketches and a quirky sense of humor. Love the name of his blog, "Lining a Drawer".... because, he explains, Drawing a Line was already taken!

In the meantime, I'll let you know how the red pepper works.

Monday, May 24, 2010

Watercolor odds and ends


Watercolor on 9 x 12 cold press.

Did some more watercolor studies today. Enjoyed doing the oranges... actually managed to loosen my detail-oriented self up a little and just have fun. The cactus leaf tried my patience... I painted each leaf section in a different technique and none of the results were really what I was looking for. Next time! The seed pods, acorn and pecan were fun, and the coneflower was just thrown in at the last minute because I wanted an excuse to play in Alizarin Crimson :-)

Friday, May 21, 2010

Window in Watercolor and Good Mistakes


Still playing with watercolor...

A watercolor sketch I started yesterday and finished today. I can't decide if I like this or not. It didn't translate onto paper the way I had it pictured in my mind. I was thinking a little brighter/stronger colors, less fussy. But it was a good learning experience. I'm learning what I'm doing wrong and paying attention so that, next time, I can get a little closer to where I want to be.

In a conversation with Laure a couple of days ago we were talking about the feeling that every time you sit down to make art it has to come out perfect... or at least very good. We discussed how unrealistic that expectation is, and how it discourages instead of encourages us to make art. So I decided I'd see how many mistakes I could make- not deliberately, of course! - but just giving myself permission to turn out a less-than-perfect end result and room to experiment. If the experiment fails... so what? I have more paper and paint! So, I figure the more mistakes I make, the more I learn and the better artist I'll become. Bring on the Good Mistakes!

Tuesday, May 18, 2010

Watercolor studies




Yay... it rained so I can stay out of the garden for a couple of days!

Posting some watercolor sketches. The first one is Pink Verbena (from my garden, of course!), the second one, if it had a title would be called "Past its Prime", and is what happens when you spend all your time in the garden and don't pay any attention to onions that are quietly growing like mad in their little basket, and the third one is practice on stonework.

Friday, May 7, 2010

How does my garden grow? Quite nicely, thank you!








It's been planting time around our house for the last couple of weeks. I planted more veggies than usual - and am trying some new gardening methods. I have tomatoes growing in straw bales (click here for a great link to straw bale gardening), and a couple of beds done in a non-traditional way. Instead of digging, you lay down sheets of newspaper 6-8 layers thick (or a layer of cardboard), cover that with 7-8 inches of wheat straw, then layer 2-3 inches of potting soil on top. Sow seeds or plant young veggies and water as needed (I'm watering every day until the plants are established). Voila! No digging, no weeds and very little work!

I also have a tabletop garden using dishwashing tubs, purchased from the dollar store, (got the hubby to drill drainage holes in them) and I have cabbage and okra planted in them. The advantages of a tabletop garden are: little to no weeds, less bugs since the plants are not on ground level, and -most importantly - my little cabbages and okra are out of reach of the rabbits... who have acres upon acres around here to feed on but insist on coming into my garden every night and devouring the hard work that I did earlier in the day! They have eaten almost all the leaves off my Black-eyed Susans. As Elmer Fudd would say, "Those pesky wabbits!"

So far, all of my veggies are being grown organically. This is something new for me too, so I'm learning as I go. I'm mulching heavily to cut down on weeds and we put a chicken wire fence around the watermelon/cantaloupe patch and salad garden to keep both rabbits and deer out. As soon as the tomatoes bear fruit they'll have to be fenced off too. Deer love to mosey from one plant to the next, taking a bite out of almost every tomato on the vine, and every bitten tomato has to be discarded. It's a summer long battle: me and my veggies vs. the deer and rabbits!

I'm posting some garden pics taken this morning. The salad garden has a really ugly border around it.... but, though unsightly, cinderblock is great for this because it's so heavy it's not going anywhere and it's about 8 inches in depth.... perfect to keep the straw and potting soil from washing away in heavy rain. In a garden, function rules over form!

Have a good weekend.... I'm playing with watercolor again (that's Laure's doing) and will post that little quickie pretty soon.

Monday, April 26, 2010

I'm in love...... with No Knead Bread!





This past week, during my "spare time" (ha! read that as "stress relief" time) I decided to do something I've wanted to do for a long time - bake some homemade bread. Homemade, handmade - without using a bread maker. I recently gave away my bread maker anyway.

I first made a loaf of Whole Wheat bread in the traditional way. You know, knead it for 10 - 15 minutes (what a workout for my poor wrists!), let it rise, punch it down, let it rise again, then shape and bake. It was really good and we liked it. This is the second (oblong) loaf pictured.

But then I found an article about No Knead Bread as baked by Chef Jim Lahey of Sullivan Street Bakery in New York. And, oh my, what heavenly bread! ( top photo - the round loaf). We more than liked it.... we loved it! If you like a crusty bread this is the one for you. (If you like a softer bread, after it's cooled store it in a plastic bag and it won't retain such a crispy crust). It's SO simple to make... and there really is no kneading (stir to mix, a couple of folds, one quick shaping and that's all). Instead of your hands doing the work, time does the work instead. You mix it up and let it sit for 18-24 hours and, according to Lahey, the long slow rise time is the secret to this artisan bread. It has the most wonderful crust and a great texture inside with all these irregular shaped holes. Slather some healthy butter substitute on it and top with raspberry jam... oh me! Or drizzle with olive oil, sprinkle with garlic powder and toast...... mmmm! If you decide to give it a try and, like me, you only have access to "down home" grocery stores, Rapid Rise yeast by Fleischmans is the same as instant yeast.

I've also started an oil painting. It's 16 x 20 and the subject is a lighthouse in Maine (photo from a vacation... can't remember the name of the lighthouse). I'm posting the first WIP. Now, if Laure from Painted Thoughts Blog will stop posting tempting tidbits and examples about the luscious Daniel Smith watercolors she's using (thus drawing my easily-led attention away from my oil paints) I might be able to make some progress on it! ;-)

Newspaper Column for April 2010


Geese, cows, pigs and seaweed: a perfect vacation


Quite a few of my childhood vacations were spent in a tent in the middle of a farmer’s field. I never realized during those years how creative my parents were in squeezing out awesome vacations on a shoestring budget. Like a lot of parents with growing children and the usual household expenses (This was back in the day when folks seldom used credit. It was mostly cash or do without.), Mom and Dad didn’t have a lot of extra money lying around to send us on a funship cruise to be constantly entertained and waited on night and day. Thank goodness. Instead, we packed our stuff and headed for the outlying regions of England or Wales. Since we lived in the landlocked middle of England a lot of our vacations tended to be in coastal towns.

Talk about firing a kid’s imagination. There's nothing like it. A camping holiday is different from a holiday where you stay in a hotel. Even if you stayed in the same place you would experience it differently in a tent than in a hotel. There’s a freedom, a closeness to nature when camping that you lose when in a building. When camping, you feel the coolness of the early day and the wetness of the morning dew on your toes when you step outside, you hear the morning song of the birds - or the moo of the cows - and are more likely to see the sunrise. Somehow you feel more alive. And everyone knows that food tastes so much better when it’s cooked outdoors. Our meals were simple but hearty and full of flavor. And with a “dining room” like we had, we considered ourselves dining in first class indeed. We usually had company on our campouts- Mom’s sister and her family, or some of my parent’s friends and their children would go camping with us so there were other kids to play and go exploring with.

One of my fondest vacation memories is of a holiday spent on a farm in Wales. It was an ordinary farm - we didn't camp in commercial campgrounds. Mom explained that it was much more fun to do your own thing and have lots of space rather than be crowded in by campers and non-stop activities all around you. What Mom didn’t say was that it was also much cheaper - such a smart Mom I have! So, as we passed Butler’s campground with its blue painted swimming pool and plastic water slide we felt a little sorry for the kids whose parents didn't know any better and were stuck in that campground, hemmed in by campers, tents and noise on all sides; and, worse, having to make do with a crowded swimming pool while we had
the wide sea or sparkling mountain streams to swim in and glorious open hills and fields to run and play in to our heart's content.

The only camper’s amenity at this Welsh farm was a simple outdoor bathroom with a sink and cold running water. For city kids, it was roughing it at its delightful best. It was a chance to roam free: no school, no homework, no teachers telling you to sit still and pay attention, no lumbering double decker buses to watch out for as you crossed the road. Just miles of blue sky, lush green fields dotted with cows and sheep, beautiful beaches and miles of narrow country lanes that curved temptingly out of sight, beckoning to adventures just ahead. I could not imagine that even Heaven itself was more beautiful than Wales.

The farm was a working farm whose owners allowed a few campers on their property each summer to earn a little extra money. Campers were not catered to in any way except for a quick warning from the farmer’s wife not to chase the geese who had the run of the farm (they peck a lot harder than you think), plus - we found out - they’d chase you back. Also free roaming were the cows... right into the field we camped in. I was a city kid. I don’t think I’d ever gotten that close to such a large animal that wasn’t in a cage in a zoo. I remembered wild west movies and wondered if milk cows stampeded? Sure hope our tent was out of their path.

But the farm inhabitant that made the most lasting impression on me was the pig. As a city dweller my only acquaintance with pigs was sausage, ham and bacon. When we first arrived at the farm that would be our home for the next week, I noticed a pen on the right side of the driveway with a good-sized pig in it. I meant to visit that pig as soon as possible. It didn’t take me long. After settling in, a few hours later I was up at the pig pen. Expecting a plump pink cherubic creature as often depicted in children’s books, I was quite taken aback when I got close to him. He seemed to be as curious about me as I was about him because he ambled up, snorted, and boldly stuck a flat wet snout through the fence. His
snout glistened light pink and there were bits of dirt stuck all over it. I stared at him in fascination, both drawn and repelled. His ponderous body was hairy and mud-caked. He grunted and stamped his feet up and down which slopped more mud up his legs. I tried to equate this dirty, decidedly uncherubic thing with the sizzling smell of bacon and delicious sausage links. It was work even for my active imagination. He kept pushing his nose through the space in between the wooden boards. Was he asking for food? I decided he was, so I pulled up some weeds and offered them through the fence boards. I immediately gained new insight into the expression “eating like a pig” and decided that perhaps it was best not to ruminate too long on the source of one’s food.

Grubby pig aside, the farm was a place of many delights, chief of which was the beach. What a beach! The farm was situated next to the sea, but was much higher than sea level. It was actually on the top of a small cliff, that at the time seemed dangerously and excitingly high. The beach was a horseshoe-shaped bay hollowed out from the seaside cliffs. A stone footpath carved into the side of the cliff led to the beach below. Best of all, because it was part of the farm it was a private beach and since most other folks were cooped up in Butler’s Campgrounds (poor deprived unfortunates) we almost had the whole beach to ourselves. Mom was right - this was great!

Us kids had the time of our lives. English and Welsh coastlines are frequently rocky so you often see caves in the side of the cliffs, tide pools on the beaches with crabs, tiny fish and creepy crawlies in them and all sizes of rocks on the beach which active young minds can find myriad uses for. Some rocks were big enough to hide behind, some just right to build with, others nice to sit on and watch the sea. And who knew whether there might be hidden treasure in a cave... left by some pirate many years ago who met a watery demise and never returned to claim his loot?

In addition to the rocks, there was also lots of different kinds of seaweed, both on the beach and in the water. Some of it was bubbly and made a fun popping sound when you squished the bubbles. Some of it was long and stringy, and after we got over the “yuck factor” my cousin, Beverly, and I used the stringy seaweed to arrange all kinds of elegant (or so we thought) hairstyles on rounded rocks. Imagination fueled our play. There was no television and no telephones during our vacations. Heck, there wasn’t even electricity! And we didn’t miss any of them one bit. There were too many fun things to do and interesting places to see.

I realize now how incredibly lucky I was to have parents wise enough to give us the kind of vacations that exercised our minds, bodies and spirits. We explored, we played, we learned, we daydreamed. Perhaps that’s why, even today, I’ll take a quiet beautiful spot over a noisy, commercialized theme park any time. I prefer God’s theme park: clean blue skies with drifting clouds, lapping waves on a shell speckled beach, country lanes dotted with wildflowers, breezes rippling the clear waters of a lake, or just simply enjoying the everyday pleasures right here in my own garden.

Nature and simple things... still the perfect vacation.

Tuesday, April 13, 2010

Family Illness

Hi All,

Thought I'd write a few lines and explain my absence. My husband's mother is seriously ill. She's partially paralyzed and speech impaired from a stroke almost 10 years ago and also has a variety of other health concerns. We are caregivers for her on weekends. Last weekend she was hospitalized again, and because she cannot communicate with the hospital staff, family members take turns staying with her around the clock to "interpret" and help out as needed. She was released from the hospital last Wednesday and on Friday came down with shingles. My DIL took her to Urgent Care on Saturday (the hubby's band was playing so we were on the road) and on Sunday afternoon the hubby and I took her back to Urgent Care for a follow up appointment. She's running a fever, in pain and isn't eating, so is requiring constant care. We're all pitching in and putting together 'round the clock care as best we can. She is adamant about not going to the hospital again, so for the time being we're giving her Ensure and Pedialyte along with her medications and making her comfortable.

Will get back to blogging and catch up my emails as soon as I can. If you've emailed me and I haven't responded please know it's not intentional. Miss keeping up with y'all! ("Y'all" ..... that's pretty good "Southern" for an English city slicker don't you think? ;-)

Friday, March 26, 2010

Where Have I Been For So Long? A Muralin'!









It's been an interesting month. I thought after finishing the castle mural in the little girl's room that I would start right away on the barnyard mural in the little boy's room. Not so. One very ugly cold(?) virus, complete with all those fun things like fever, sore throat, cough, blah, blah... you know the routine.... plus one perforated ear drum due to severe congestion (yes, I've had all the fun lately ;-) kept me out of work for a week. What is it they say about the "best laid plans of mice and men"?

Thankfully, I finally ditched the virus and painted the barnyard mural (this one is about 5 ft high and 7 ft wide). I'm posting wip's. This mural took almost twice as long as the castle mural because the clients decided to add several elements to the original design (cow, the family dog, tractor, boy on tractor, pumpkins in field, tobacco barn and bee hives). But it was such a pleasure to paint... I really enjoyed it and hope the little boy does too! My working method was the same as for the castle: sketch on wall with a pencil, then paint. I used mostly Liquitex Acrylic paints, retarder and flow mediums. Also did an acrylic glaze for the first time and really liked the effect it gave. Will use that technique again.

If I haven't visited your blog lately.... it's not because I haven't wanted to. I'll get around there as soon as I can so don't give up on me yet!

Have a good weekend!

Newspaper Column for March 2010


Make Memories That Are Worth Revisiting


Early morning, hot coffee and a good book…to my way of thinking it just couldn't get much better. Blissfully engrossed in my book while sipping coffee, something I read reminded me that a year ago a trip to Ocracoke Island was in the final planning stages. The May visit to Ocracoke would not be my first; and, with luck, not my last ... it’s such a pleasure to be on the island.

What makes you fall in love with an area is more than the beauty of a place, it's the emotional response it elicits from you, the way it entwines itself around your heart and mind, and the power it has to stir memories long after you’ve returned home.

I allowed my thoughts to wander from the page and return to the sights and sounds of Ocracoke. May’s cooler temperatures mean the island is still fairly quiet, making the off season a perfect time to visit. The beautifully wild seashore, thankfully protected from the ever-grasping avarice of man, invites contemplative walks and the leisurely gathering of seashells to the soothing accompaniment of the rolling surf. Something about the seashore that is so deeply restorative, so cleansing.

Inland, an ideal way to explore the little island village is by bicycle. No confining car- just two pedals, and one small - and truthfully - not very comfortable seat. It’s still lots of fun. The easy pace of cycling allows you to see, hear and smell little things that you’d miss in a car. Relaxation slowly overtakes you as you breathe deeply of the pleasantly salty air and listen to the gulls squawk overhead while your neck and back are gently warmed by a benevolent spring sun. Rambling down quaint side streets, you see clusters of flowers in sandy yards framed by picket fences; fences that were once fresh white, but are now quietly and charmingly faded. The timeworn homes, often decorated with flowering vines, are guarded by wind-twisted trees bent over the driveway. The older homes have a curious air of being out of step with time. As if the original owners might still be there, might tell you tales of the early days of settling the island, when hardy islanders lived with scarce resources and the vagaries of the sea ruled their lives. For the history buff, there is much to explore and appreciate on Ocracoke.

I remembered the poignant ceremony at the British Cemetery, the morning cool and misty as bagpipes wailed a musical memorial to the British sailors lost while helping protect Ocracoke's coast during WWII. I remembered visiting the colorful, overstocked variety store and the fun of picking out just the right T-shirt. I remembered the sand, sea, weather-stunted trees and the history of life played out on a small island. The memories seemed so real I was almost there again. I realized that of the places I had visited over my lifetime so far, this was one of my most cherished favorites.

The realization surprised me. Despite the passing of decades, my memories of childhood vacations in Wales, the country that neighbors England, were still very colorfully alive and well. Wales is a breathtakingly beautiful country. Mountains border rocky beaches with secluded caves, little-traveled country lanes run alongside fields where cows offer lazy “moos” and old stone farmhouses and castles look just like picture postcards. It was pure magic to a kid from the city suburbs. In my present-day early morning walks, I often see something that reminds me of Wales- a snail inching its way down the road snaps my memory a couple of thousand of miles away and more than a few years back, to when I walked along a country road in Wales closely watching another snail’s slow progress, fascinated by the silvery rainbow trail it left behind.

I sipped the last of my coffee. My thoughts had traveled from my book first to Ocracoke, then to Wales. Memories have such power. Do childhood memories seem so sweet because, as children, we gave ourselves wholeheartedly to the venture? As adults, can we jump wholeheartedly into adventures with a similar childlike abandon? If we can’t, don’t or won't, I suspect the memories we make today won’t be nearly as sweet as they could be when the years pass and we look back.

I had thought for years that there would never be another time and place like those vacations in Wales. There were other enjoyable holidays, but Wales reigned supreme. I’d like to think that one day I will again visit that beautiful land. But I realized with some surprise that the quiet sea-washed beauty of Ocracoke had also firmly claimed a place in my heart. Wales continues to hold a special place in my affections, and it always will. But Ocracoke has its place too. There’s room for both old and new.

The past may be wonderful, but it is past. The present can be every bit as magical. All you have to do is jump in wholeheartedly. What a pleasant assignment- making memories worth revisiting. Think I’ll get started on that one right away.

Friday, March 5, 2010

The Ups and Downs (think ladders) of Painting Murals....








It's been a busy (and happily tiring) two weeks!

I was commissioned to do a series of three murals in a newly remodeled home. Two of the murals were to be done right away, the third a little later. The first two murals are in children's rooms- a fairytale castle for a little girl's room (size: approx 6.5 ft. across and 6 ft. high), and a barnyard/farm scene in a little boy's room. Since the little girl is having a big birthday party tomorrow (Sat.) her mural was the first to be done. I finished it Monday and then started on the barnyard scene. The clients have since added several elements to the barnyard scene so it will be next week before it's completed. Which means I'll be pretty scarce again this coming week.

What have I learned from doing these murals? Well, first of all that I'm not as young as I used to be. Yikes! The first and second day of 6-8 hours of climbing up and down a ladder and constantly holding up my arms to draw and paint told me more about my age than I cared to know :-) But, it's also been wonderful from an art perspective. Being away from my home meant that I wasn't distracted by laundry, meal preparation and all those other time stealers that can wreck a work day. It was wonderful to simply draw, paint and think about nothing but the project before me!

My working method is simple: draw the scene on the wall (I use a pencil) and paint. I use acrylic paints which work well for murals... soap and water clean up and fast drying. I'm posting photos that show the castle mural progressing; the last photo shows the little girl's room with the completed mural. I've made a good start on the barnyard mural but will post that a little later- after almost two weeks of very little computer time I've got a lot of emails and blogging to try to catch up with!

Have a good weekend!
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