A couple more art cards

Here's two more of my art cards (both done in colored pencil). The bottom card is of a castle in France - a country I'd really like to visit. I was actually scheduled to go to France as part of a student exchange when I lived in England but missed that trip. My French teacher, Monsieur Carre, had written to his former students in France and paired them up as pen pals with his students in England. The idea was that we would write to our pen pal in France using only French to improve our grasp of the language and they in turn would write to us in English. One summer, arrangements were made for us to spend six weeks with our pen pal's family in France. That was the summer my family moved to the US. Alas, we moved a couple of months before the scheduled trip to France. So, for the moment I'm being patient with promises to myself that "one day" I'll make that long awaited trip.

The top card (mushroom) doesn't really look like a Vacation Dream Card, but it is. It's a reminder of my childhood rambles around the English countryside where I grew up. I was always fascinated by the variety of mushrooms I saw. The fact that some of them were poisonous and forbidden to touch only made them more mysterious, mythical. Sometimes I half expected a tiny sprite-like figure to emerge from underneath their colorful little canopies. Too many childhood stories? Perhaps. But it was a pleasant indulgence nonetheless. Of all of the mushrooms, the puff balls and the red and white capped were my favorite fungi. I have no idea what the proper name is for the puff ball mushrooms, but we called them puff balls because if you stepped on one, it puffed out a thick cloud of brown smoke. We always avoided letting the brown smoke drift onto us... who knew whether it might have magical properties and what the consequences might be? The red and white capped mushrooms seemed far more innocent. They were so pretty that one could only imagine pleasant stories around such a colorful little forest dweller. Ah, the innocence of childhood. Though I wouldn't wish those days back again (I quite enjoy my life as it is for the most part) I would dearly love to walk the English countryside again, exploring the forest and enjoying the quiet beauty of nature.

Fall Apple Cake

Crunchy leaves and Fall's delicious chilly mornings got you in a baking fever? Me too! Here's a family favorite you might like to try. This cake is better if you plan ahead so that it can sit for a day or two before cutting. The sitting time allows the flavors to blend and deepen to produce quite a memorable flavor. If you don't have a particularly sweet tooth you might want to omit the finishing glaze (I gleefully drizzle it over the cake all the while wondering how long the cake will sit before I dive into it). Enjoy!

Fall Apple Cake

2 cups light brown sugar
1 cup vegetable oil
3 eggs, beaten
2-1/4 cups all-purpose flour
2 teaspoons baking soda
1/2 teaspoon salt
1 teaspoon cinnamon
1 teaspoon allspice
1 teaspoon nutmeg
1 cup buttermilk (I use whole buttermilk)
2 teaspoons vanilla
2/3 cup pecans, chopped
1-1/2 cups apples, peeled and finely cubed (I use 2 Granny Smith apples)

- Preheat oven to 350 degrees.

- Cream sugar and oil.

- Slowly add eggs, blending after each addition.

- Combine flour and next 7 ingredients.

- Add flour mixture to egg and oil mixture. Add apples and pecans and stir well.

- Bake in greased and floured 10-inch tube pan for approximately 40 minutes (depending on your oven and your pan) or until a toothpick inserted in the center comes out almost - but not completely - clean. I like to take the cake out when just a tiny bit of cake sticks to the toothpick... keeps it from overbaking and becoming dry.

- While cake is still warm and in the pan, punch holes in the top of the cake (if you have them, use one of those little wooden grill skewers so the holes go all the way down to the bottom) and pour some of the warm glaze over it. Then turn cake out onto a plate and pour the rest of the glaze over the cake. Cover and let sit for a day or two - if you can!

Glaze:
1 cup brown sugar
1/4 cup milk
1 stick margarine
1 teaspoon vanilla

Bring sugar, milk and margarine to a medium to high boil - boil for three minutes while stirring constantly. Remove from heat and add the vanilla. Let cool a little and spoon onto cake when the glaze is just nice and warm.

Monthly Newspaper Column

* I'm posting my monthly newspaper column on my blog again as I did last month. This month I owe a special Thank You to Rosie at Corners of My Mind blog who graciously allowed me to make reference to, and use part of the information from her delightful post of Thursday, September 18, 2008: "A Walk at Baslow". Thank you Rosie!!

The Traveling Front Porch

This morning, after a welcome dose of invigorating coffee, I went with a new friend for a leisurely walk in Derbyshire, England. It was cool and misty, so with jackets on we set off down the path to Chatsworth Park, crossing a picturesque little stone bridge under which flowed the gray waters of the Derwent River. We walked alongside neat rows of thatched cottages, passed through the revolving “kissing” gate, and walked down worn paths that to this day retain some of their original cobblestones. At this time of year in England, cool autumnal breezes bid summer goodbye and the trees are resplendent in burgundies, reds and golds. We continued walking until we could see the roofline of stately Chatsworth House, visible just beyond the tree line. Chatsworth is a beautiful English country house often used in period movies such as “Pride and Prejudice”, in which it became Pemberley, home of the dashing “Mr. Darcy”.

After this pleasant morning stroll, I hopped over to New Mexico to see Jo’s latest pastel painting; stopped by Oxford, NC, to see Lin’s newest watercolor masterpiece, checked in with Jeanne in California (who has a husband, four dogs and would rather do colored pencil art than housework. Hmm..... not a bad idea!) and enjoyed a brief visit to the Blue Ridge mountains where Ann’s fresh pastels and soft colored pencil art brings back warm memories of wonderful vacations.

Do I have access to a Lear jet? Ha! Not likely. Nor do I have a Star Trek style transporter to instantly beam me from place to place. What I do have is a computer and a blog list. Blogs where friends, family, neighbors and strangers (who sometimes turn out to be friends you haven’t met yet) can drop in (almost instantly) to talk and share their lives. If you’re not familiar with blogs and blogging, here’s a quick primer:

“Blog” is a contraction of the term “web log” and is variously defined as:

- an online personal diary

- a news outlet

- your memo to the world

- a journal that is available on the web

A blog is basically a website that’s updated regularly. The newest information shows up at the top of the page so you read the most recent post first and as you scroll down the page you read the older posts. A “post” is an entry on the blog. A blog usually includes text, photos, and links to other blogs and websites. A blog can be themed around a particular subject (such as a hobby, an occupation, a sport, politics, news, etc) or just simply be a casual collection of a person’s thoughts and observations. The activity of updating a blog is “blogging”, and someone who keeps a blog is a “blogger.” Bloggers usually have a “Blog List” - a list in the sidebar on their own blog that has links to other blogs they like to read - you can click on the links to go to those blogs. One of the nicest features of blogs is the “Comments” feature. When you visit a blog there’s a place where you can leave comments to the blogger (“I like your art work”, “Where did you find that lovely poem?” “How did you get that particular effect in your painting?” etc) and usually the blogger will respond to you. Then you can respond back to them. If there’s an area of mutual interest you might end up getting to know this person and a neat thing happens....you make a new friend .... and most of the the time you’ve never met them!

Earlier this year I participated in a Virtual Sketch Date. A lady named Rose, from Texas, was the originator of this project and it’s basically a group of artists - some professional, some amateur - who select one photograph each month and everyone draws/paints that image. It’s amazing to see the widely different interpretations of the same image by different artists. Everyone completes their sketch and on the appointed date they upload it to their blog. It’s lots of fun visiting from blog to blog to see the results. At that time I was new to blogs and blogging, so I didn’t have a blog... and, honestly, didn’t think I wanted one. Sure, it was fun, interesting and even educational, but I just didn’t have time for a blog. Rose encouraged me to start my own blog, pointing out their advantages, especially if you’re an artist: most art bloggers are very generous about sharing their tips and techniques, some even post art demos so you can see art being made step by step; you get feedback on your own art; you get inspiration - visiting art blogs is like going to an art gallery! - and you also get encouragement as you read of other’s art struggles that often parallel your own. I’ve been reading blogs for almost a year now and had my own blog since May 2008. Most of the blogs I subscribe to are art blogs, but there are a few non-art blogs on my list that are interesting, informative and a delight to visit .... like Rosie’s blog. Rosie lives in Stoke on Trent, in England, and it was her post about her early morning walk in Derbyshire that I enjoyed so much and described to you at the beginning of this article. Her interesting narrative and accompanying photos almost make you feel like you’re there too... sort of like taking a walk with a friend.

For years now I’ve thought it a sad thing that the time honored tradition of sitting on the front porch with family, friends, neighbors or “new folks” has pretty much died out. I see new homes being built and most of them have a generous front porch with inviting rocking chairs and colorful plants. But the comfy rockers are usually empty.... neighbors and friends are nowhere to be seen.

Before I left Rosie’s blog, I left a comment thanking her for sharing her morning walk. As I clicked to go to the next blog, I realized that the tradition of visiting and sharing on the front porch has not completely died out after all. In part, at least, it’s just taken a different form... we now visit through blogs. Of course a blog doesn’t take the place of in-person visiting, however, it does have its own particular advantages, one being that it’s a neat way to make new friends from all over the world- friends that you’d probably never have met otherwise.

So, make yourself a cup of coffee, find a blog or two that you like and start reading.... there’s a comfy chair on front porch waiting for you!

Irish Cottage card

Another art card... this one went to Mary in Ohio (and I actually remembered to sign this one... aren't you proud? :-)

Ireland is close to the top of my "Places I Most Want to Visit" list. I'd love to set up in a field near one of these old thatched roof cottages and paint on location. One day!

More art cards...and a delightful poem!

So far I've received confirmation of receipt on 4 out of 6 Vacation Dream cards that I've mailed. Sure hope the two that are AWOL at the moment are not lost in the mail! Here's two more of my art cards: the log cabin in the snow went to Kitty in the Netherlands and the hot air balloon went to Joan in New York. Both cards were such fun to paint. The log cabin is watercolor and gouache, the hot air balloon is watercolor. I see now that I forgot to sign both of these cards after I finished painting them... oops!

While we're here, I'd also like to share a little poem with you. Someone emailed it to me and I really liked it; so, for your enjoyment, here it is...........

The Law the Lawyers Know About

The law the lawyers know about

Is property and land;

But why the leaves are on the trees,

And why the wind disturbs the seas,

Why honey is the food of bees,

Why horses have such tender knees,

Why winters come and rivers freeze,

Why Faith is more than what one sees,

And Hope survives the worst disease,

And Charity is more than these,

They do not understand.

Hilary Douglas Clark Peplar, English, 1878-1951

First Art Card...

Woo Hoo! My art cards are beginning to arrive at their destinations so I can finally begin posting them. This card is the first art card I've ever done. It's 4"x6", colored pencil and was done from a reference photo I took on a vacation to Ocracoke Island summer before last. On that vacation I kayaked for the first time -- and loved it! What a great feeling of freedom to paddle out over the lapping waves while the gulls circled overhead in the warm spring sunshine. We paddled out of Silver Lake just around the corner to Springer's Point - a secluded little point with a maritime forest. The beach, like Ocracoke's other beaches, is part of the National Seashore and is completely unspoilt - and quietly beautiful.

This card was sent to a gentleman named Joe who lives in Florida. There are 25 people taking part in this art exchange and they live in various states in the US and several different countries: Australia, the Netherlands, Canada, New Zealand, India, Thailand and France.

This is the first posting..... more to come!

P.S. The photo you see of me on the blog (in the red kayak) was taken on this trip.

A caboose from Jeanne!

I'm back! Actually, I haven't been anywhere. Been busy creating art ... all of which was for the Vacation Dreams project, so after the cards arrive at their new home I can then post them here on my blog and you can see what I've been up to. I mailed off 6 cards to recipients as far away as Canada and the Netherlands, plus various states here in the US. This is such a fun project! I've loved the small size (4" x 6") that enables you to complete them fairly quickly which means you can try out all different kinds of subjects and techniques. I'll be working on another card today - a street scene - which is something different for me. This card is being done in watercolor.

I'm also posting here the latest card I've received from the project sponsor herself, Jeanne Grant. Jeanne found out I love cabooses and this week I was thrilled to get a beautiful card from her of an old fashioned red caboose! Thanks, Jeanne... it's one of my favorites!

The hubby's band is playing this weekend, so it will be busy for us. Hope your weekend is relaxing and fun!

Oh the value of those little 4" x 6" inch cards.....

We're talking about the WetCanvas Vacation Dreams project (see post dated July 25 for details). This is my first project of this type and so far it's been a ton of fun... but, happily, it's also been a wonderful learning experience.... and I have lots more cards yet to make! Besides the obvious benefits of receiving keepsake original art from around the world, there's also the fun of doing lots of little mini paintings. Plus, having a deadline helps keep me motivated and on track.

What have I learned so far that has me raving about this project? Read on....

- Because there's so much latitude in subject choice I'm finding out exactly what subjects hold my interest long enough for me to complete a painting. Some of my choices have surprised me. I'd always envisioned myself painting fresh landscapes with clear colors, lots of blues and greens (a la Maine, England, Ireland, etc). While I still love those subjects, I've also been strongly drawn to portraiture, some architectural themes, desert themes, and "macro" style pictures.

- Doing lots of little paintings gives me a wonderful freedom to fail. This frees my "inner painter" from my "inner critic" and for me, these two often work in opposition to each other. After all, it's only a little piece of paper that measures a mere 4" x 6" ... so what if it comes out horribly? Trash it and start a new one! No problem, no pressure! This freedom has been part of what has helped me to choose subjects I might not have chosen if I were doing a larger painting.

- I've noticed my painting habits changing as I continue making cards. It's a "tight focus" thing versus a "big picture" thing. I used to get so involved in one little area, trying to achieve perfection before I moved on, that I'd frequently get that part too dark, too detailed, too saturated, too whatever, and then have to go back and adjust it to blend in with the rest of the picture. Today, as I was working on one of the cards, I noticed I was steadily moving around the picture. A little here, a little there so that the entire picture was being completed in a much more balanced way. I also noticed that working this way I did very little correcting, erasing or re-coloring.

- I'm learning to walk away from the picture. It's easy for me to get lost in a painting. It's so totally absorbing, so fascinating that I lose track of time... and sometimes lose perspective as well. I've noticed that when I take a break, even if it's only 10 or 15 minutes, when I return I see the picture afresh and spot things that I didn't see when I'd been hovering over it like a protective mother hen for two hours.

- My confidence is picking up with every card I complete. I've tried to keep in mind past mistakes that I don't want to repeat, and successes that I do want to repeat. When I look at a reference photo now I find that, with each new experience under my belt, it's becoming easier to visualize the photo as a painting.... with the color and compositional changes it might need to make it a more interesting picture.

- I'm just flat out enjoying switching between, and sometimes mixing, colored pencil and watercolor. I'm experimenting to my heart's delight.... after all, it's only a 4x6 piece of paper, so what if it comes out horribly................. and well, we've already covered this!

- Last, but not least, I've learned that there are lots of really nice people out there who are willing to share painting tips and encourage each other along the way. A sincere "Thank You" to Jeanne Grant who nudged me into this first WC project and who has inspired me with all of her colorful cards. Thanks, Jeanne, it's been a lot of fun already!

The Sewing Box

Well, it's been one of those kind of weeks. Although I don't like to wish my life away, I'm glad the week is over and the weekend is here. Plus, the hubby's band is not playing this weekend so we've got a weekend at home (Woo Hoo!). I did get my column written (I write a monthly column for a little rural newspaper in a neighboring town) and have decided to post it here on the blog. I'm working on a Vacation Dream card tonight and will be mailing some of those out..... probably next week.


So, until we get back to art, we're writing. Here's my latest column:


The Sewing Box

At our house sewing repairs crop up regularly. The hubby is forever tearing holes in his pants pockets or has a shirt that needs a button sewing on. Such tasks bring my old sewing box off the shelf and into service.

When you’ve owned and used an item for almost forty years you’ve seen it so many times that you really don’t see it anymore. Last week, I settled down at the kitchen table with my sewing box to repair a pair of work pants. Bright sunlight streaming in through double windows make the kitchen a favorite spot for hand sewing. Needle threaded, I started the repair. As I stitched in and out, working in a smooth rhythm, I could feel myself relaxing. I glanced over at my sewing box. The light made the faded colors seem a little livelier. Around the edges of the box the fabric folded over from the outside to the inside and here the original colors could still be seen. My Mom bought the sewing box for me from Jessop’s, a fine department store in Notttingham, England, before we moved to the U.S. Oval shaped and covered with a yellow/mustard fabric in a stylized floral pattern, it plainly stated "early 1970’s". I remember the thrill of becoming the owning of a "proper" sewing box. It had a lift out top tray with divided sections for the various sewing notions and a roomy bottom layer large enough to store scissors and a quite a few spools of thread. I was a bit ambivalent about the fabric color and bold pattern, but, nevertheless it was mine to use and cherish and I did.

As I continued making stitches, my attention kept returning to the sewing box. I thought of its contents: assorted colors of thread, beeswax to help the thread sew smoothly, a seam ripper, buttons, pins, tailor’s chalk, other odds and ends - and needles. Lots of needles. Fine needles for delicate sewing and sturdy short needles for quilting. Large needles for repairs on tough fabrics. Curved needles for crafts and huge needles with tips smoothly rounded for sewing together the individually knitted pieces of a sweater. And embroidery needles. Who in the world uses embroidery needles these days I wondered? I realized with a start that my sewing box said as much about me as it did about the era in which it was purchased. Mind drifting, I was once again sitting in sewing class. High school. England. In that time, all girls learned to sew. A young lady was not considered to have a well-rounded education without a working knowledge of basic and decorative sewing skills. Of course, girls also took the usual academic subjects, but the "domestic arts" classes of cookery and sewing were a treat. I loved the feel of the fine new fabric under my fingers and the satisfaction of a job well done when a garment turned out nicely. I thought about the variety of stitches we learned: blanket stitch to finish raw edges, hidden French seams for garment strength and neatness, smocking for charming children’s dresses or sundresses, backstitching for strong repairs (what I was doing at that very moment) and embroidery stitches with enticing names like satin stitch, French knot, stem stitch, and chain stitch. In addition to sewing at school, my Mom is, and has been for years, a skilled seamstress. As a youngster it was fun to use scraps from her latest project to make clothes and adornments for my doll. Besides keeping my sewing box all these years, I also kept my doll. "Jane" is now 46 years old, although unlike me, she hasn’t aged a day and looks almost as fresh and pretty as the Christmas morning Santa left her for me. She sits on top of the filing cabinet in my office/studio, wearing a faded dress. Around the hem of the dress is a narrow ribbon trim held there by the clumsy, loving stitches of a young girl learning to sew.

As I sat stitching and reminiscing, I wondered how many of today’s young girls acquired the home skills that my generation did. Unfortunately, I don’t think there’s a lot. And I guess these days there’s not much incentive to learn to sew.... it’s just easier to discard a garment in need of repair. Do young girls today even own a sewing box?

In some ways I envy today’s generation; especially the ease with which they handle technology. Yet, while I envy them on one hand, I feel sorry for them on the other hand. Kids grow up entirely too fast these days. Slow growth is better. Something is missing. I can’t imagine many of today’s kids playing a game of marbles, enthusiastically constructing their own makeshift club hideaway or knitting a scarf. Things we did as kids. But those kinds of activities bring wonderful benefits. Like time to think. Time to be creative. Time to dream. Time. The quiet, slower activities of my generation and generations past gave the gift of time.

I finished the repair and folded the pants. Once again, they were ready to wear. I saved a few dollars by repairing instead of replacing and felt refreshed by the lull in my day. While my fingers were busy, my mind was relaxed. A most content state. A few minutes with the sewing box had not only restored the pants - it had restored me.

Copyright 2008 by Teresa Houston. All rights reserved. No part of this article may be copied or reproduced in any form without written consent of the author.

Latest CP work...

Top: Reference image

Bottom: Watercolor and Colored Pencil Portrait

Okay... something I've worked on that I can post!

As you know, I've been working on cards for the WC Vacation Dreams project and those works don't get posted until they reach the recipient. Since I've haven't mailed any yet, none of them have reached their destination (imagine that!) I plan to batch mail when I get a bunch completed.

The work I'm posting today started out as one of those cards, since it's a portrait of a little boy in Basque, Spain (image from the Reference Image Library at WC.... thank you Minoux!) who appears to be dressed in costume. Perhaps he's part of a festival?

When I saw the photo I thought he was just adorable and had to draw him. What started as a Vacation Card turned into a mini course in CP portraiture. I thoroughly enjoyed painting this portrait and feel like I learned a lot. I underpainted the boy's scarf, hat and shirt and the tree and greenery in watercolor as an experiment to see if laying down an application of color in non-critical areas would make the CP process a little faster. I'm happy to report that it did. His face was worked entirely in colored pencil. I left the background/greenery loose because I wanted to focus attention on the boy.

I had some problems with this portrait. A couple of areas I worked, reworked, then reworked some more. I'm surprised I didn't make a hole all the way through the paper (used Stonehenge, BTW... some tough paper, that). I'm really trying to get out of this reworking thing that I do but at least I am beginning to understand my own creative process. I've learned that I need to visualize how I want it to look before even pick up a colored pencil. For me, trying to paint without knowing what I want to achieve is like trying to get somewhere I've never been without a map. Yep, a lot of wrong turns and missed turns (i.e. work and rework). I've also learned that when I'm painting I need to "be there now". Painting takes intense focus- the minute my mind starts straying while I'm painting you can pretty well bet it's going to be an area that will have to be reworked.

Overall, I was fairly pleased with this portrait, although after I scanned it I saw a couple of areas I'd like to touch up (read "rework"!) and areas where I strayed from the reference. It's amazing how scanning the work and placing it alongside the original image on your computer screen seems to highlight the problem areas that were previously hard to spot.

I think for the next few paint sessions I'll be in watercolor and completing more Vacation Cards. Although I do sort of have my next portrait in mind!

As an aside, yesterday I froze 22 quarts of tomato gravy (uncooked that would equal about 30-35 quarts of tomatoes that were prepared). Right now I don't even want to look at a tomato. My hubby calculated that we could have tomato gravy with breakfast almost every other week for the next year! He then proposed that we have another "day in tomatoes" so we could have tomato gravy every week. After a less-than-enthusiastic look from me the idea was abandoned. For those of you who are wondering what the heck tomato gravy is... well, it's a regional Southern specialty. Basically, it's a seasoned tomato sauce that a lot of folks like to spoon over rice, scrambled eggs... whatever. I'm not a fan of tomato gravy.... I'm just the person who makes it and serves it!

More Goodies From the Mailbox!

What fun! More WC Vacation Cards have arrived!

At top: "Floating Down the Bella Coola 1" from Joe in Florida

Center: Snorkeling in Cabo San Lucas from Joan in New York

Bottom: "Soupfish" from Bonnie in Saskatchewan, Canada.

Thanks to all of you... they're beautiful!

Received My First Ever Project Card!

Woo Hoo! Look what came in the mail! I joined a WC project "Vacation Dreams" (see post for July 25) and received my first card. How exciting it was to open the envelope knowing there was a piece of original art from someone in another state! The beautiful watercolor scene is of a natural bridge in Aruba. Thank you, Mary... I love it!

Yep... still here!

(above) Skin Tone Bar, (below) Smooth Bristol swatch

I got an email today from a blog friend who inquired if I was "still there" or had I gotten lost in the berry bushes? Hmmm.... well, since the title of this blog does include blueberries here's the rundown on the berry situation: On Saturday, since the hubby's band was not playing (a "free" Saturday! Woo Hoo!) I got up bright and early, 5:45 am to be precise, and began picking blueberries at 6:30 a.m. Figured I'd beat the heat. I figured wrong. Instead of being finished at around 10:30 as I hoped, I was still picking at close to 1 p.m. And it was miserably hot by then. Long story short- I hope that was the last major pick of the season. As far as I'm concerned the birds, deer and all other hungry critters can HAVE the blueberries!!

Okay, now that I've gotten that out of my system, let's forget about nearly 100 degree heat, spiders, wasps and scratchy branches to concentrate on art!

Yes, I have been working at my little art table. I've completed two cards for the WC project Vacation Dreams and started on the third. Since the third card will be a mini portrait I studied Ann Kullberg's book "Colored Pencil Portraits Step by Step" and, as the book recommended, made a skin tone bar. The idea behind this skin tone bar is that it gives you practically every shade of skin you'll need (or close to it - just modify as needed). I also made a couple of "value viewers" which are just a piece of white cardboard with a hole punched in the middle. You lay one value viewer on the reference photo you're using in the spot where you're deciding what colors to use, and lay the other value viewer on the skin tone bar and then move it around until you get a close match for your reference photo. You then know what colors you need to achieve that particular shade of skin. Now this may sound very quick and simple; it is simple, but it's certainly not quick. There are two layers of base color (first layer is cream, second layer is light peach) that represent the lightest of skin tones. Then all the other colors are added, layer by layer. Well, there are 21 -yes, twenty-one! - additional colors. That means 23 total layers on part of the skin tone bar. Yep, that's what I thought too. But I persevered, sitting at my art table dutifully making light vertical strokes while talking on the phone, watching the birds, eating a banana, getting a year older. Well, perhaps the last one is a slight exaggeration.

It was definitely slow going, but I did learn a lot. I learned:

• Ann Kullberg has the patience of Job



• I will most likely have a crippling case of Carpal Tunnel Syndrome in my right wrist if I do many portraits with a lot of skin that is in the shade (i.e. requiring most of those 23 layers). Consequently, all of my portraits will be of people in bright sunshine only. Just kidding.



• I love my electric pencil sharpener. Yes I do. Save that wrist for the layers.



• Though initially skeptical, I found out you really can put 23 layers of colored pencil (using light to medium pressure) on Stonehenge paper. Impressive paper.



• Though even more skeptical, I found out that if you use VERY light pressure, you can also put 23 layers on Smooth Bristol. Honestly. See swatch above.



• I love the even smoothness of CP on Smooth Bristol.
  
  
• I now understand why Ann Kullberg recommends using a scumbling/"brillo pad" technique (light, smooth overlapping circular strokes) to get a nice even finish for skin. Even though I was careful to be as consistent as possible with my vertical strokes they were still visible in the skin tone bar. This may not necessarily be a bad thing (I think the consistency is more important than the stroke style) but for the times when do you want a super smooth look the scumbling works better than the vertical strokes.



• Despite the s-l-o-w, S--L--O--W rate of application and the many layers it can require, I love colored pencil. I love its immediacy.... no mixing, no wetting, no washing brushes.... just pick up and "paint". Brilliantly simple!



• Since I also still love watercolor I'd like to try combining the two and see how that works. Seems like an underpainting of watercolor would definitely speed things along. Then use colored pencil for all of the details that I dearly love.

Last, but not least..... if you've sent an email to me via my gmail address (on the blog) and have not received a reply - I just found out today that the replies I've sent out the last week or so did not go through. I'm not sure what the problem is, nor how to fix it, but I'll be trying to get it worked out. I have replied to all incoming emails so if you did not receive a reply please email me again and let me know - I'll send you a reply using an alternate email address. Thanks!

Fruits of our labors.... literally!

Been another busy week. July is the busiest month in summer for us.... that's when the blueberries are ripening as fast as we can pick them. Yesterday we (me and the hubby) picked berries for over three hours, then I spent another hour and a half sorting and freezing the berries. Pictured above: the yield from yesterday's pick which ended up being 13 very full quarts in the freezer. A good afternoon's work. The hubby was busy calculating how many pies you can make with that amount of blueberries... a lot!

On the art front - yes, I have been productive this week - but can't post anything! I'm doing ATC's (Artist Trading Cards or Art Trade Cards?) for a WetCanvas project but can't post them online until they've been mailed and received by the recipient. The project is called Vacation Dreams and you do cards (I'm doing 4"x6") with a theme of places you've visited or would like to visit. So far I've done Ocracoke Island (been there several times... absolutely love it) and France (on my "would love to see one day" list). It's a lot of fun and is a great opportunity to try out new techniques. I used a layering technique on the first card, and I'm using solvents for a more painterly look on the second card. Since I'm using a new medium (colored pencil) the practice is also much needed and very welcome. Will post the cards when they've arrived at their new homes.

Have a good weekend!

Swatches 2

Another little CP experiment...

I want to know what colored pencils are capable of. I also want to know, before I start on a project, how to achieve a particular effect. Hence the experiments. Yes I do plan, at some point, to produce something besides these slightly-off kilter little swatches! But when I'm working on a new piece and mentally juggling things like composition, values, color choices, etc., I don't want to have to stop and do a trial and error thing to get the look I want. So I figure the more I play with colored pencil the easier it will be when I actually begin a new piece. At least I'm hoping it will work that way. For the beginner (me!) these two swatches provide mini lessons in underpainting, burnishing with color, and using solvents.

In the dark/red square on the left I started out with a layer of Indigo Blue that faded to nothing on the right side. Then did an all over layer of Tuscan Red, followed by an all over layer of Crimson Red. Finally I burnished the whole square with Scarlet Lake. I liked the richness of the dark... and learned that in order to get really smooth color I have to have a sharp pencil that can get into the recesses of the paper (BTW - using Stonehenge).

The second square is about getting even coverage by using a solvent. Parts of the square were colored with Indigo Blue and Grass Green and spot colored with Violet. I then used a small paint brush to apply a tiny amount of Turpenoid Natural. Then another quick layer of Indigo Blue and Chartreuse here and there. I was pleased with the smooth coverage. No paper left showing through. The scan has made it look uniformly dark, but on the actual swatch there are subtle color variations. I wonder if light colors were used if you could almost get a watercolor effect? I'm not sure the Turpenoid Natural is what I need to be using. I noticed that it left a slight oily film (maybe it needs longer to dry?) that smudged if you rubbed your finger across it. But that's what's nice about doing these little experiments... the object is to learn, not to produce a beautiful work - so if it smudges it's no big deal. But it would be a big deal if I'd spent hours on a piece and then ruined it by accidental smudging. Think I'll try some other form of solvent and see if I still get a residue.

Oh, and one more thing: I read somewhere that if you want a really smooth line you can dip your pencil tip into solvent (just a slight amount) and then draw your line. It really works! Made a very smooth, even line with consistent color.

*Swatch experiments in this post, and previous post, from the very informative book, "Painting Light in Colored Pencil" by Cecile Baird.

Swatches

Left swatch is on watercolor paper. Right swatch is on Stonehenge.

Continuing with colored pencil:

I did "Watering the Flowers" on watercolor paper - mostly because I wasn't sure how it was going to turn out and I was saving my Stonehenge paper for "when I'm good" with CPs. From what I've read, CP artists use a large variety of papers and other surfaces for their art, watercolor paper included. However, a comment by a WetCanvas member encouraging me to use Stongehenge now - while I'm learning - made me curious about how much the paper affects the outcome. So I did a quick little experiment. In the two swatches above I used the same two colors with about the same pressure. Both were burnished with a colorless blender pencil. I was surprised at how much richer and smoother the coverage was on the Stonehenge compared to the watercolor - and how much easier it was to apply. Even though Stonehenge does have a little texture, it doesn't have the tiny "hills and valleys" of the watercolor (cold press). On Stonehenge the pencil glided smoothly over the surface, whereas with the watercolor paper it tended to skip over the valleys leaving tiny specks of paper showing through and making it difficult to achieve smooth even coverage. Good stuff to know- the watercolor paper might still be a good CP choice when you want an uneven texture, but for a smooth finish it's Stonehenge.

Close-to-Final Version of "Watering the Flowers"

After another busy weekend (hubby's band played so Saturday was a LATE night - then we picked and froze 15 quarts of blueberries on Sunday evening - by the time the blueberries were finished I was finished too) I managed to find a few minutes last night to do some fine tuning to "Watering the Flowers". I bought a little battery operated eraser while on a jaunt to an art store this past Friday and what a nifty little gadget this is! Does a wonderful job of removing color without damaging the paper. And, surprisingly, it only cost $6.95.... Woo Hoo!... I love a bargain!

So the eraser was put to work. I was not happy with the little guy's nose or his left facial profile. So I erased the profile line, all of the nose, part of the mouth and some shading here and there that didn't pass muster. Then I carefully redid those parts, taking extra care to note the precise angle and length of line and such things. I'm learning that for me it takes close observation then thoughtful calculation on how to achieve the look I'm after. Even then it doesn't always end up like I envision it. Guess that's one reason art is so endlessly fascinating... the challenge of getting the vision onto the paper. Anyway, I'm posting what I hope is either the final version of this piece or close to it. I'm going to let it sit for a couple of days and see if anything jumps out that needs changing. If not it will soon be on its way to its owner... who doesn't know it's coming.... it's a surprise!

While at the bookstore I also bought a new CP book and I LOVE IT! I had a coupon for 30% off so I used it on this book "Painting Light with Colored Pencil" by Cecile Baird. I had the book on my Amazon Wish List but had never looked through it so I wasn't sure how good it was (I don't think the cover painting does the book justice). Let me tell you.... it's GOOD! Her colored pencil paintings are simply awesome. Beautiful. Wow. What else can I say? And even better, her demos are to the point and very detailed. I plan to do some exercises from the book this week (and the hubby hopes that I'll find time somewhere to bake either a blueberry pie or a blueberry crisp... a reward for the hot, hard work of picking and freezing blueberries!)

Update on "Watering the Flowers"

Finally! The child has a mouth! This has certainly been a learning process for me. I learned (after the fact) that this pose - called a 3/4 pose - is considered a difficult one. Ha! Wish I had found out earlier! But I'm still glad I attempted it. I've learned more about the level of my drawing ability (and where it needs improvement) and have thoroughly enjoyed getting better acquainted with colored pencils. To be honest, I never expected to like this medium. I had read that it was a very slow medium and thought that I would lose patience with it. It is a slow medium; but instead of losing patience I found the slower process more relaxing and almost meditative. When I'm working with paint I guess I feel more time pressure because, depending on what effect you're after, you have to keep paint drying times in mind. That doesn't mean I've abandoned watercolor - I still love it - but I think it will be nice to be able to switch between the two mediums and at some point I'll probably combine them.

I'm not sure if I'm going to put in a background or not. I'm debating. Think I'll let it sit awhile and then see how I feel about it. I do want to add some water droplets coming out of the garden hose and I've still got work to do on the flowers and greenery.

Watering the Flowers

Anyone else on a merry-go-round besides me? Phew. What a week! Besides an influx of unexpected company, the blueberries are beckoning. So far I've frozen about 15 quarts - in the next two or three weeks there will be many more quarts put into the freezer. When picking I try to think of luscious blueberry pies and sweet crunchy blueberry crisps... this keeps me going while I'm swatting insects, getting scratched by woody branches and trying to keep cool in July's steamy temps!

On the art front, I purchased a few more colored pencils and have been experimenting with them. I started a portrait (Watering the Flowers) and... it's been interesting. I'm not sure exactly what type of "look" I'm after, so I'm trying to stay open minded and just see how things turn out. I'm working on watercolor paper and don't think I like it for CPs. I'd like to try a smooth Bristol and see what kind of effects I can get with CP.

This is a WIP (Work in Progress) so it's by no means a finished product.

New Book and Cat Eyes in CP

Add "easy portability" to the growing list of things that I like about colored pencils.

My hubby plays in a band most weekends, so this weekend I took along my CPs and paper. While the guys set up the equipment and ran sound checks I was happily coloring away! I recently purchased a new CP book (Realistic Pet Portraits in Colored Pencils by Anne deMille Flood) and am really impressed with it. Aside from the wonderful art work that you expect to see in such a book (some of her pieces are almost photographic!) her instructions are blessedly clear and logical. What a relief! No guessing as to how this or that technique was accomplished, or how she got from one stage to another. As an added bonus - especially for someone new to CPs - she gives a lot of "recipes" for achieving rich colors using several different layers of color. She even advises you on how sharp the pencil point should be, the type of stroke, and how much pressure to use. This book is like a light bulb for someone stumbling around in the dark!

Anyway, I decided in the limited time I had to do a study on cat eyes. In this study I layered CPs for the first time, and though "my eyes" didn't look exactly like the book I thought they were alright for a beginner. I learned a lot just doing this little study.